Tang Shui’en, mainland left-libertarian musician and activist, recounts his path from childhood in 1980s rural Hubei to participation in Wuhan’s pioneering punk scene since the late 1990s, interaction with overseas radicals, and experimentation with independent media and an “autonomous youth center.”
Among the common masses, how many of us are aware of the oppressive forces that push us to society’s margins?
Apart from a small minority, most people – even if at every moment they feel discomfort – are unable to determine the source of this pain. The word “marginal” itself is so abstract that it can only serve as a code of recondite academia and mass media. As the radical Brazilian educator Paulo Freire has shown, the masses are the “object” of development. We do not exist within the active process of naming things, but only within the theories of education and behavior created by our oppressors, which have fostered a “culture of silence” among the people.
Living Up to a Name: The Story of Plamen Goranov
Interview and film republished with permission
LeftEast recently sat down with Martin Marinos and Andre Andreev to discuss their film Flame: A Short Film About Plamen Goranov, which recently won the Thessaloniki Film Festival’s Audience Award for Best Short Film. The documentary explores the life of Plamen Goranov, whose self-immolation during the Bulgarian protests in 2013 spurred the resignation of Varna’s mayor and was also cited by the Prime Minister Boyko Borisov as one of the reasons for his resignation. Martin and Andre have generously made the entire film available to our readers. –LeftEast editors
Transcribed from the 24 January 2015 episode of This is Hell! Radio and printed with permission. Edited for space and readability. Listen to the whole interview:
“Roma are among the poorest citizens in Bulgaria. But somehow, paradoxically, they are considered the most privileged, because of their supposed “privileged” access to welfare.”
Chuck Mertz: We’ve been discussing neoliberalism, austerity and race on This is Hell! for a while now. But what happens when austerity actually fuels more racism? Here to tell us what austerity means for racism against Bulgaria’s Roma: Jana Tsoneva.
“There’s a lot of real old-fashioned class antagonism at the heart of this. When, on top of that class antagonism, you add an actual war with shooting, it becomes really ugly.”
Chuck Mertz: Our guest, live from New York City, is Keith Gessen, founding editor of n+1 magazine. Keith is co-editor of the new collection celebrating ten years of the cultural literary magazine n+1, Happiness: Ten Years of n+1. Keith also wrote the piece “Why Not Kill Them All?” on Ukraine for the London Review of Books. Good morning, Keith.
KG: Good morning.
CM: You start your story about a Mikhail Mishin, who grew up in a large town next to Donetsk in eastern Ukraine, for several years playing football, rising to the Ukrainian second league. Eventually, as you write, “his father helped him find work in the sports section of city government, where he lobbied for money for sports facilities and attended their opening ceremonies, where he always gave a short speech about the moral and physical benefits of sport. No scholar of languages, he was never able to master Ukrainian fully, which perhaps would have kept him from climbing higher in politics if things hadn’t taken a strange turn for him in the Donbas region earlier this year.”
BULGARIA: A look at asylum seekers’ portrayal in politics and media, the little-known practice of “external addressing” in which corrupt officials collude, and the all-too-familiar rise of fascist gangs with the state’s implicit approval
by Tsvetelina Hristova and Raya Apostolova for LeftEast
In the summer of 2013, as a mass of people was fleeing the escalating conflict in Syria, Bulgaria experienced its first “real” push at the border. Or at least this is how media outlets and commentators described the thousands who were crossing the Turkish-Bulgarian border, forgetting that the Bulgarian border in particular—and the European border in general—has been a space of much antagonism for some time.