This film by Patrik Öberg and Emil Ramos, released free online on 14 December 2017 after months of touring Europe, tells the intertwined stories of antifascist individuals and movements in Sweden and Greece from the mid-2000s until today, covering several momentous incidents in both countries. The street-level footage as well as the intimate interviews make this a vital primer for antifascists worldwide, showing the movement and its protagonists in both their desperation and their courage, as well as laying out their basic principles.
Antifascism is not radical. It is normal.
Featured image: Swedish antifascist (and survivor of attempted murder by Nazis) Showan Shattak, a key figure in the film, on tour in Italy. Source: The Antifascists (Facebook)
Fei chang yi han or So Sorry (Mandarin, English Subtitles, 55 minutes)
As a sequel to Ai Weiwei’s film Lao Ma Ti Hua, the film “So Sorry” shows the beginnings of the tension between Ai Weiwei and the Chinese Government. In Lao Ma Ti Hua, Ai Weiwei travels to Chengdu, China to attend the trial of the civil rights advocate Tan Zuoren, as a witness.
In So Sorry, you see the investigation led by Ai Weiwei studio to identify the students who died during the Sichuan earthquake as a result of corruption and poor building constructions leading to the confrontation between Ai Weiwei and the Chengdu police.
The story of an impossible revolution
We share an important documentary made by the Camara Negra Collective which looks at the Syrian revolution and counterrevolution, giving voices to the grassroots activists who continue to struggle for freedom from tyranny and oppression. In Spanish and Arabic with English subtitles.
“I belong to this revolution that surpasses national borders. I love all revolutions. I love the revolutionaries that understand its meaning, its morals, its aspirations and its vision.”
AntiNote: Early in March 2011, inspired by the images coming from Tunisia and Egypt, around fifteen school children were arrested for writing “The People Want To Topple The Regime” on the walls of their schools. In their beautiful naivete they wrote their names under their messages of hope. The mukhabarat (secret police) broke into the houses of the children and arrested them In the dark of the same night. Among other verbal abuses, the chief of intelligence Atef Najeeb told the parents to forget about their children. The first demonstrations broke out, the first victims of a genocidal regime had to be buried, more protests followed. That is where the uprising started. Out of solidarity, for freedom and justice, self-determination, and personal emancipation.
The Syrian revolution did not follow any blueprints. Nevertheless, and contrary to the constant misrepresentation, it remains a struggle for self-determination, liberty and a breaking point of the fear towards an all-powerful regime.
This is where the Syrian revolution conveys countless lessons for revolutionaries around the world. For us here at Antidote, this is expressed first and foremost in the ongoing discussions between an old, dogmatic “left” that refuses to recognize that it is about to become oblivious and marginal to protests and uprisings, so stubborn that it rejects everything that does not fit its approved textbooks, and a radically decolonized, ideologically emancipated and de-centralized left, which represents a fluid and ongoing project, where theory has to stand the test of its context and its time.
Last but not least, it is in the light of the Syrian struggle that we reflect and recognize our own shackles, our own dictators and regimes, and our own fears. And this is why we express our solidarity with those embracing diversity, supporting struggles, searching for allies, striving to become accomplices, wherever humans rise up and shake off the shackles of fear towards oppressive regimes.
The absence of dignity is the driving force of any revolution, that devotes itself to the desire of acquiring a life worthy of being precisely lived.
Ash-Shab Yurid Isqat en-Nizam!/ The People Want The Fall of The Regime
Website of Camara Negra: http://camaranegra.espivblogs.net/
Living Up to a Name: The Story of Plamen Goranov
Interview and film republished with permission
LeftEast recently sat down with Martin Marinos and Andre Andreev to discuss their film Flame: A Short Film About Plamen Goranov, which recently won the Thessaloniki Film Festival’s Audience Award for Best Short Film. The documentary explores the life of Plamen Goranov, whose self-immolation during the Bulgarian protests in 2013 spurred the resignation of Varna’s mayor and was also cited by the Prime Minister Boyko Borisov as one of the reasons for his resignation. Martin and Andre have generously made the entire film available to our readers. –LeftEast editors
This movie follows the lives of seven people who went to Genoa to demonstrate against the G8 in July 2001, and their recovery from the traumas they experienced there. During the protests more than 1,000 demonstrators, medics and journalists were injured through excessive police violence.
Eine Dokumentation der Zürcher Häuserszene von den frühen Anfängen bis 1994 in 10 Teilen.
Bereits in den 50er-Jahren sammelte die Zürcher Jugend an den drei Züri-Festern Geld für ein Jugendhaus — ausdrücklich für die Jugendlichen, welche sich nicht in Vereinen organisieren wollten und liessen. 1980 wartete ‚die Jugend’ immer noch.
Ein kurzer Rückblick auf die erstmalige Forderung eines AJZ in den 60ern, das erste Allmendfest und die Besetzungen an der Venedig- und Hegibachstrasse leiten über zu den bewegten 80ern.
Political struggles over the future of Turkey have left the country profoundly divided. Former Prime Minister, now President, Tayyip Erdogan, has fueled growing polarization through his authoritarian response to protests, his large-scale urban development projects, his religious social conservatism, and most recently, through his complicity in the Islamic State’s war against the Kurdish people in Northern Syria.
In Greece and other European countries, economic elites have been supporting fascist parties in order to enforce a radical neoliberal agenda in the crisis, says Aris Chatzistefanou, journalist and filmmaker from Athens, director of “Debtocracy”, “Catastroika” and “Fascism Inc”.